Suffice to say, the
record is repetitive but, despite sounding more mechanical than Factory Floor’s
first, 25 25 manages to steer clear of monotony. On first few listens it
functions as background noise to daily routine, but 25 25 gradually
comes to insist on your attention: it’s more demanding than it lets on at first
– more necessary. At this point, it’s not too difficult to try and imagine what
it is about the band’s live gigs that inspires attendees to describe them with
such visceral, animated language. Or why it is that they’d be booked to play
anywhere from The Warehouse Project to the ICA. Or even why it is that other
artists seem so keen to work with them (see Carter Tutti Void or their previous
residency at the ICA). (http://thequietus.com)
Check:
No 7. LUH - Spiritual Songs for Lovers to Sing
No 8. Pye Corner Audio - Stasis
No 9. Oranssi
Pazuzu –Varahtelija
No 10. Parquet
Courts - Human Performance
No 11. Russian
Circles – Guidance
No 12. The
Oscillation - Monographic
No 13. The Body - No
One Deserves Happiness
No 14. Car Seat
Headrest - Teens of Denial
No 15. Sumac - What
One Becomes
No 16. Teenage
Fanclub – Here
No 17. Josefin Ohrn and the
Liberation – Mirage
No 18. Strands
No 19. Beach Slang
- A Loud Bash of Teenage Feelings
No 20. Body &
Full of Hell - One Day You Will Ache Like I Ache
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